Exploring Beethoven's Piano Sonatas Part 5
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Exploring Beethoven's Piano Sonatas Part 5 at Coursera Overview
Duration | 7 hours |
Total fee | Free |
Mode of learning | Online |
Difficulty level | Intermediate |
Official Website | Explore Free Course  |
Credential | Certificate |
Exploring Beethoven's Piano Sonatas Part 5 at Coursera Highlights
- Earn a shareable certificate upon completion.
- Flexible deadlines according to your schedule.
Exploring Beethoven's Piano Sonatas Part 5 at Coursera Course details
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Exploring Beethoven's Piano Sonatas Part 5 at Coursera Curriculum
Welcome to Class
Welcome to Part 5 of Exploring Beethoven's Piano Sonatas!
Syllabus
Getting to Know You
Op. 27, No. 1
The ?Moonlight?s? Unjustly Neglected Sibling
Bridging the Gap Between Fantasy and Sonata
1st Movement: Unusual Form; Unusual Harmonic Stability
1st Movement: A Joyous Disturbance of the Peace
2nd Movement: A Scherzo of Extreme Economy and Drama
2nd and 3rd Movements: A Magical ?attacca? Transition
3rd Movement: Less a Movement than a Setting of the Stage
4th Movement: The Rondo the Sonata Has Been Heading Towards
4th Movement: Further Blurring the Lines Between the Movements
Final Quiz ? Op. 27, No. 1 Quiz
Op. 31, No. 1
Humor and Harmonic Innovation
1st Movement: Playing Poor Coordination for Laughs
1st Movement: A Radical Move to the Mediant
1st Movement: Obsessing Over his own Joke?
1st Movement: ?And Milking it for All It?s Worth
2nd Movement: An Affectionate Wink at Italian Opera
2nd Movement: Embellishment as Parody
2nd Movement: From Parody to Profundity
3rd Movement: Rondo as Riddle
3rd Movement: Inspiring Schubert
3rd Movement: A Coda filled with Surprise
Final Quiz ? Op. 31, No. 1 Quiz
Op. 106: Hammerklavier (Part 1)
A Work of Astonishing, Unprecedented Scope
Putting the ?Hammer? in ?Hammerklavier?
A Massive Work Unified by Two Motivic Fixations
1st Movement: An Exposition that Establishes the Work?s Scope and its Principal Concerns
1st Movement: A Fugal Development and a Return that Breaks Every Rule
1st Movement: The Work?s B/B flat Conflict, Front and Center
1st Movement: A Titanic Coda for a Titanic Movement
2nd Movement: A Compact, At Times Riotous Scherzo
2nd Movement: The Thirds Fixation, at its Most Concise
2nd Movement: A Trio that Moves from Mysterious to Maniacal?
2nd Movement: ?and a Coda that is Yet More Maniacal
Final Quiz ? Op. 106 Part 1 Quiz
Op. 106: Hammerklavier (Part 2)
3rd Movement: Tragedy on an Unequaled Scale
3rd Movement: Setting the Scene with One Measure ? and One Third
3rd Movement: Giving the Work?s Main Ideas a Tragic Affect
3rd Movement: Moments of Consolation amidst Despair
3rd Movement: A Short, Loaded Development; A Return that Embellishes and Further Intensifies the Opening
3rd Movement: Not Hope, but the End of Hope
4th Movement: A Half-Step as a Way Forward
4th Movement: Finding the Way to Order by way of Chaos
4th Movement: A Labyrinthine Subject for a Dizzyingly Complex Fugue
4th Movement: Turning the Subject Stubborn through Augmentation
4th Movement: More Madness; Another Prominent Half-Step; The Subject in Retrograde
4th Movement: A Brief Oasis of Calm
4th Movement: Craggy, Ambiguous and Defiant to the End
Final Quiz ? Op. 106 Part 2 Quiz
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